















The Taylor 264ce-K DLX 12-String expands the 200 Series of the US-American traditional manufacturer and a new 12-string acoustic guitar12-string:
Twelve String in Grand Auditorium format with innovative features. The classic solid topTop:
The top is the upper part of the guitar body in combination with a laminated bodyBody:
The body is the body of a guitar. It is made of wood and influences the sound and resonance of the instrument. The sound of a guitar can vary depending on the shape and material of the body. create a perfect symphony of outstanding sound quality and durability, while design features such as the generous cutawayCutaway:
A cutaway is a recess in the body of a guitar that allows the guitarist to reach the higher frets more easily. This makes it easier to pick and play the strings in the upper registers. and more guarantee comfortable playability. To present this outstanding instrument with amplification, it is equipped with an in-house pickup systemPickup:
A pickup is an electronic component that converts the vibrations of the guitar strings into electrical signals. These signals are then amplified and played back via loudspeakers to make the sound of the guitar audible. which promises the best sound results. As if that wasn't enough, the guitar scores points with its natural yet elegant design, visual details and an included case Guitar case:
Casewhich guarantees ideal storage and safe transportation.
For a balanced sound, Taylor relies entirely on koa acacia wood, which grows exclusively in Hawaii, for the 264ce-K DLX 12-String . With a solid topTop:
The top is the upper part of the guitar body and a laminated bodyBody:
The body is the body of a guitar. It is made of wood and influences the sound and resonance of the instrument. The sound of a guitar can vary depending on the shape and material of the body. made of koa, the acoustic guitar produces a concise mid-range, pleasant bass and a radiant overtone spectrum. It therefore ideally meets the requirements for numerous musical genres and also shines when played dynamically. Meanwhile, the resonance-friendly solid top and the patented C-Class bracing provide the necessary assertiveness. This unique type of bracingBracing:
Bracing, specially developed by Taylor , is specifically designed to emphasize the lower frequencies and create a huge sound volume.
Even when amplified, the sound of the Taylor 264ce-K DLX 12-String leaves nothing to be desired. The Taylor Expression System 2 is an in-house development that adds completely new dimensions to the amplification of acoustic guitars. Three piezo elementsPiezo pickup:
A piezo pickup is an electronic component that converts vibrations from guitar strings into electrical signals. It is often used in acoustic guitars to amplify the sound. The pickup consists of a piezo crystal that is made to vibrate by the vibrations of the strings. under the bridgeBridge:
Bridge pick up the vibration of each pair of strings individually and thus optimally capture every nuance of your playing. The result is a completely unadulterated amplified sound that perfectly brings out the tonal beauty and variety of a Taylor guitar. Using three controls in the upper frame, bass, treble and volume can be adjusted directly on the instrument and quickly and easily adapted to the environment or your own preferences. What's more, these are discreet and thus maintain the harmonious design of the guitar.
The slim mahogany neck in particular ensures excellent playability. mahogany neckGuitar neck:
Maple neck with standard carveNeck profile:
The neck profile refers to the shape of the guitar neck. It can be flat neck profile and high-quality ebony fingerboardFretboard:
The fretboard is the part of the guitar on which the strings are fretted to produce different tones. It is made of wood and has metal frets that mark the different pitches.. While mahogany is a popular choice for guitar necks due to its acceptable weight, ebony also enjoys great popularity due to its finger-friendly texture. Its smooth, velvety surface allows for fluid playing, easier execution of complex techniques and absolutely precise output of every note played. This is particularly pleasing to fingerpickersFingerpicking:
plucking technique, whose intricate patterns can be played with great attention to detail. and to tease the full potential out of the instrument, it has a practical cutaway that provides unobstructed access to the high registers. Furthermore, proven gold-plated TaylorTuners:
die-cast tuners tuners ensure high tuning stability, guaranteeing uninterrupted playing for pure playing pleasure.
In terms of design, the Taylor 264ce-K DLX 12-String offers a unique blend of tradition and exoticism. The shaded edgeburstFinish:
The term "finish" refers to the outer coating or surface treatment of a guitar. It can be different types of varnish, stain or oil that are applied to the wood to protect it and give it an attractive appearance. finish in high-gloss lacquer gives it a distinct visual warmth and at the same time highlights the unique grain of the koa wood. This creates an almost magical colour gradient with a natural finish. The manufacturer doesn't skimp on visual highlights either, as the shimmering single-ringRosette:
The rosette is a decorative element on the guitar. It is located around the sound hole and is made of various materials such as wood or mother-of-pearl. The rosette gives the guitar an aesthetic appearance and can also influence the sound. rosette made of faux pearl frames the sound holeSound hole:
The sound hole is an opening on the front of a guitar. It allows the sound produced by the strings to reach the outside and amplify the sound of the guitar. and gives it an attractive frame. The faux pearl sentinelFingerboard inlays:
inlays fingerboard inlays harmonize with this, not only providing orientation but also representing filigree stylistic elements. In combination with the gold-plated hardwareHardware:
chrome hardware, the result is a luxurious guitar that will definitely delight guitarists with a penchant for detail.
As one of the largest guitar manufacturers, Taylor is a true authority in the production of first-class instruments. Professional production by trained specialists results in the finest products for life, whose value is always maintained - or even increases! This is due in equal part to the exquisite tonewoods, which do not warp due to long storage and selected quality and are therefore hard to beat in terms of high quality. Only spruce, mahogany, cedar or Koa of proven quality are used for the tops. Careful production in combination with the best materials does not only apply to guitars. Guitar bags and all accessories are also of first-class quality. Finally, a conscientious final inspection does not allow even the smallest defects to slip through and ensures flawless guitars before dispatch.
As if that were not enough, Taylor also attaches great importance to acting in an environmentally conscious manner.
Uncontrolled deforestation and overexploitation lead to massively endangered wood species that can no longer regenerate due to the high rate of extraction. These include ebony and koa in particular, whose dwindling stocks and the resulting ecological problems have prompted a rethink at Taylor Guitars.
As ebony is particularly finger-friendly due to its hard, supple texture, it has long been the preferred choice for the production of fingerboards. Its attractive appearance is also extremely popular for bridges, headstock overlays, bridge Pins and Bindings . However, the high demand and the flourishing black market outstripped stocks, so that ebony ended up on the Red List of endangered species in 1994. In addition, only the deep black heartwood, which makes up only a fraction of the tree, was used, resulting in a disproportionately large amount of waste in production. To protect the forests, Taylor has been working with the Crelicam Wood Mill in Yaoundé, Cameroon, since 2011 to promote controlled consumption by processing waste products. Thus, Taylor guitars not only contain black ebony elements, but also the different colored, more clearly grained parts of the tree. This complete recycling is an effective method of preserving the stocks and successfully counteracts their dramatic decline and the associated negative ecological effects.
"We need to use the ebony that the forest gives us" - Bob Taylor
The koa acacia population has also suffered heavy losses over the last 20 years. Unsustainable forestry and overexploitation have led to a decline that can only be halted through proactive action and reforestation. This is why Taylor Guitars, together with Pacific Rim Tonewoods, founded the Siglo Tonewoods project, which aims to rebuild the Hawaiian jungle. This is a large cultivation area for koa acacia and other species, which enables the use of koa wood on a controlled scale.
Parametry