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Austrian Audio DMK1
3 484,83 €
VČETNĚ DANĚ
Drum microphone set with eight perfectly tuned microphones for precise, controlled drum sound, including extensive accessories.
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Thinking of the drum kit as a whole
- complete Drum microphone Set for the complete miking of an acoustic drum kit
- Eight perfectly matched microphones for a closed, homogeneous sound image
- detailed overhead pickup with stable stereo imaging and controlled low end
- fast transients and clear Attack for Toms and snare
- clean, precise hi hat pickup with open highs and controlled mids
- high feedback resistance and reliable performance in Live operation
- robust construction for studio and touring use
- comprehensive accessory package with Drum clips, mounts and windscreens
- waterproof touring Case for safe transportation
- quick set-up without additional clips or adapters
- developed as an integrated system instead of individual microphones
- ready-to-mix basic sound without tonal predefinition
- suitable for modern productions as well as for classic Drum sounds
- handmade in Vienna with a focus on natural, unadulterated Drum sound
- Audio samples are available directly on the Austrian Audio website
- Note: Stands and cables are not included!
Scope of delivery:
- 1x OC-B6 Bass Drum microphone
- 2x OC18 large diaphragm condenser microphones for overheads
- 1x CC8 condenser microphone for hi hats
- 3x OC7 condenser microphones for toms
- 1x OD5 dynamic microphone for snare
- 4x DPH12 Drum clips
- 7x OCH8 microphone clamps
- 1x DMC1 waterproof touring case
- 1x windscreen
- 2x waterproof windscreens for overheads
The microphones included in the DMK1 set
A set that works as a unit
The Austrian Audio DMK1 is a drum microphone set in which each individual microphone has been deliberately developed and precisely tuned. Each model takes on a clearly defined tonal and technical task without pushing itself to the fore. The result is not a hodgepodge, but a self-contained system that reproduces a drum kit as a whole. All microphones are designed for consistency, high level stability and neutrality, without preformed sounds or stylistic specifications. The result is maximum control in the mix, both in the studio and on stage. Custom-fit mounts, windscreens and a waterproof touring case ensure that set-up, transportation and everyday use are just as reliable as the sound.
The or B6 - Bassdrum without compromise
The OC B6 forms the foundation of the set. A large-diaphragm condenser microphone that was specially developed for bass drums and remains completely composed even at extreme levels. It processes up to 170 dB SPL without distortion, without a pad and without a fixed EQ. The sound remains open, deep and controlled, regardless of whether it's a modern Attack or a round, classic Kick . The integrated subsonic filter at 25 Hz keeps unwanted low frequencies out of the signal. The microphone head can be rotated 220 degrees for flexible placement in the shell, at the sound hole or directly in front of the bass drum.
CC8 - Clarity on the hi hat
For the hi hat, Austrian Audio relies on the CC8, a cardioid true condenser microphone with a handmade OCC7 capsule. It delivers clean transients, open highs and very controlled mids. Even at high levels, the sound remains stable and defined. The result is a hi hat that stands out clearly in the Mix without being harsh or masking other signals.
OC7 - Toms with pressure and control
The three OC7 tom microphones are also designed as true condensers and respond extremely quickly to taps. The sound combines precise Attack with a full body and remains confident even with powerful playing. The high SPL stability ensures that the sound does not buckle, even with large shells and hard playing. Thanks to the 220 degree swivel joint, the microphones can also be positioned securely in tight setups. The result is toms that remain punchy, deep and cleanly controllable.
OC18 - Overheads with space and detail
Two OC18s are used for the overheads. Cardioid large-diaphragm condenser microphones with CKR6 capsule and open acoustic design. They deliver airy highs, a stable low end and a very natural stereo image of the entire kit. Pad and high-pass filters are available directly on the microphone and make it easy to adjust the signal to the room, volume and playing style. The overheads sound balanced and spacious without artificially enlarging the Set.
OD5 - Snare with focus
The snare is picked up in the DMK1 by the OD5, an active dynamic microphone with ODC50 capsule. The sound is direct, focused and assertive, with a powerful Attack and firm body. At the same time, the hi hat spill remains controlled, which is particularly helpful live and for dense arrangements. The rotatable microphone head makes it easy to find the sweet spot quickly, even in unusual snare positions.
Technical data of the microphones:
OC B6 Bass Drum Microphone
- Polar pattern: Cardioid
- Frequency range: 18 Hz - 20 kHz
- Sensitivity: 0.8 mV/Pa
- Maximum sound pressure level: 170 dB SPL
- Output impedance: 108 Ohm
- Minimum load impedance: greater than 1 kOhm
- Power supply: 48 V phantom power under 2.2 mA
- Subsonic filter: 25 Hz
- Connection: XLR 3 pole
- Dimensions: 92 x 82 x 57 mm
- Weight: 280 g
OC18 Overhead condenser microphone
- Microphone type: True condenser large diaphragm
- Application: Instruments and vocals
- Capsule: CK12 based
- Handmade in Vienna
- Output impedance: 275 Ohm balanced
- Input impedance: 1 kOhm
- Maximum sound pressure level: 148 dB SPL, 158 dB SPL with pad
- Inherent noise: less than 10 dB SPL
- Signal-to-noise ratio: greater than 84 dB
- Lowcut filter: 40 Hz, 80 Hz, 160 Hz
- Pad: minus 10 dB, minus 20 dB
- Connection: XLR 3 pole
- Dimensions: 157 x 63 x 35 mm
- Weight: 330 g
CC8 Hi Hat Microphone
- Microphone type: True condenser
- Polar pattern: Cardioid
- Receiver type: Pressure gradient receiver
- Frequency range: 20 Hz - 20,000 Hz
- Maximum sound pressure level: 146 dB SPL
- Sensitivity: 15 mV/Pa at 1 kHz
- Capsule size: small
- Operating mode: Mono
- Power supply: 48 V phantom power
- Connection: XLR 3 pole
- Dimensions: 140 x 23 x 23 mm
- Weight: 160 g
OC7 Tom Microphone
- Microphone type: True condenser small diaphragm
- Polar pattern: Cardioid
- Frequency range: 20 Hz - 20 kHz
- Sensitivity: 10 mV/Pa
- Maximum sound pressure level: 154 dB SPL, over 160 dB SPL with pad
- Self-noise: 19 dB SPL A weighted
- Output impedance: 275 Ohm balanced
- Pad: switchable minus 10 dB
- Lowcut filter: 40 Hz 2nd order, 80 Hz 2nd order
- Power supply: 48 V phantom power under 2 mA
- Connection: XLR 3 pole
- Dimensions: 147 x 82 x 54 mm
- Weight: 275 g
OD5 snare microphone
- Microphone type: Active dynamic microphone
- Polar pattern: Cardioid
- Frequency range: 20 Hz - 18 kHz
- Sensitivity: 6.7 mV/Pa
- Maximum sound pressure level: 151 dB SPL, over 160 dB SPL with pad
- Pad: minus 10 dB
- Lowcut filter: 80 Hz 2nd order, 120 Hz 2nd order
- Output impedance: 275 Ohm balanced
- Connection: XLR 3 pole
- Dimensions: 147 x 82 x 54 mm
- Weight: 265 g
REC0017129-000
Parametry
- Weight (kg)
- 7.33
- Application Area
- Drum
- Input
- XLR
- incl. Accessories
- Yes
- Manufacturer
- Austrian Audio
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Produkty stejné značky
Drum microphone set with eight perfectly tuned microphones for precise, controlled drum sound, including extensive accessories.
Austrian Audio DMK1
3 484,83 €
VČETNĚ DANĚ