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In order for the guitar to produce a bright and defined sound, the top is made of Sitka spruce. The light tonewood provides powerful midrange and fine treble frequencies, making the instrument versatile. Back and sides made of curly maple colour the sound with a very warm note, so that the acoustic guitar produces a tremendous carpet of sound even with a light touch of the strings. The maple neck is equipped with an ebony fretboard, which has enough space so that even complicated fingerings and chords become child's play. Matching the fretboard, the overlay of the headstock and the bridge are also made of ebony.
The Micarta bridge inlay and the 44,45 mm wide Black-Graphite nut guarantee a clean sound development of the complete tonal range. In addition, the nickel-plated die-cast tuners allow easy tuning of the 6 steel strings, which are fixed at the other end with ebony pins in the bridge. The headstock and the fretboard are decorated with filigree Grained-Ivoroid-Wings inlays, which give the overall appearance a noble character. Matching the eye-catching inlays, the top is decorated with a subtle ebony binding and a single-ring soundhole rosette made of paua.
Built into the bridge are three piezo elements fixed with grub screws, which pick up each pair of strings individually. With the result that the built-in Taylor Expression System 2 excellently captures the entire acoustic sound potential and authentically passes it on to the amplifier. The three potentiometers of the side preamp also allow separate adjustments of the output signal. Thus, in addition to the volume, the bass and treble frequencies can be adjusted. For operation, the active pickup system requires a 9V block battery, which is stowed in a battery compartment next to the jack.
As one of the largest guitar manufacturers, Taylor is truly an authority in the production of first-class instruments. Thus, professional manufacturing by skilled craftsmen results in the very finest products for life, whose value is always maintained - or even increased! This is due in equal part to exquisite tonewoods, which do not warp due to long storage and selected quality and as a result can hardly be surpassed in terms of high quality. Only spruce, mahogany, cedar or Koa of proven quality are used for the tops. By the way, careful production in combination with the best materials does not only apply to guitars. Guitar bags and all accessories are also of first-class quality. Finally, a conscientious final inspection does not let even the smallest defects pass and ensures absolutely flawless guitars even before shipment.
And that's not all: Taylor also attaches great importance to environmentally conscious actions.
Uncontrolled clearing of forests and overexploitation lead to massively endangered wood species, which can no longer regenerate due to the high pace of mining. These include ebony and koa in particular, whose dwindling stocks and the resulting ecological problems have prompted a rethink at Taylor Guitars.
Because ebony's hard, supple texture makes it particularly finger-friendly, it has long been the preferred choice for making fingerboards. Its attractive appearance is also extremely popular for bridges, headstock rests, bridge Pins and Bindings . However, high demand and a thriving black market outstripped stocks, landing ebony on the Red List of Endangered Species in 1994. Moreover, only the jet-black heartwood, which makes up only a fraction of the tree, was used, resulting in a disproportionately large amount of waste in production. In order to protect the forests, Taylor has thus been working since 2011 with the Crelicam Wood Mill in Yaoundé in Cameroon to promote controlled consumption by processing waste products.
"We need to use the ebony that the forest gives us" - Bob Taylor
Koa acacia populations have also suffered severe losses over the last 20 years. Unsustainable forestry as well as overexploitation led to a decline that can only be stopped by proactive action and reforestation. Therefore, Taylor Guitars together with Pacific Rim Tonewoods founded the Siglo Tonewoods project, which aims to rebuild the Hawaiian virgin forest. This is a large cultivation area for koa acacia and other species, which allows the use of koa wood on a controlled scale.
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