

The Taylor Academy 22e impresses with its clever construction, its extremely comfortable playability and, last but not least, its powerful and defined sound. and to make it easier for beginners to play the guitar, the manufacturer equips the instrument with high-quality hardware, a flat neck and an armrest. Due to its compact Grand Concert size, the instrument also promises easy handling for children and teenagers. The overall package is rounded off by a sturdy carrying case with backpack set.
To ensure a comprehensive sound experience, the compact construction is made of a solid walnut top and a laminated walnut body. The interplay of the lightweight construction and a gauzy matte finish also ensures an almost attack and extensive sound development. Thanks to a flat profile, the maple neck with an ebony fingerboard can also be described as very beginner-friendly and accommodating, as it allows effortless gripping in all 20 frets.
Clean intonation of the 6 steel strings is ensured by a bridge inlay made of Micarta and a slim 42.8 mm nut made of Nubone, which are perfectly matched. At the same time, chrome-plated die-cast tuners guarantee precise tuning. In addition to the Armrest , the Academy 22 acoustic guitar is equipped with an elaborate three-ring soundhole rosette, which with its Baltic birch inlay very tastefully matches the individual components of the body. Finally, fine 4 mm Dot-Inlays acrylic inlays are set into the dark fretboard for orientation.
The heart of the Taylor Academy 22e Grand Concert is undoubtedly the built-in Taylor ES-B pickup system, which can be adjusted very user-friendly via a frame preamp. Both a volume and a tone control are inserted into this. In addition, the preamp is equipped with a tuner that shows the height of the respective tone via an LED display.
As one of the largest guitar manufacturers, Taylor is truly an authority in the production of first-class instruments. Thus, professional manufacturing by skilled crafts men results in the very finest products for life, whose value is always maintained - or even increased! This is due in equal part to exquisite tonewoods, which do not warp due to long storage and selected quality and as a result can hardly be surpassed in terms of high quality. Only spruce, mahogany, cedar or Koa of proven quality are used for the tops. By the way, careful production in combination with the best materials does not only apply to guitars. Guitar bags and all accessories are also of first-class quality. Finally, a conscientious final inspection does not let even the smallest defects pass and ensures absolutely flawless guitars even before shipment.
And that's not all: Taylor also attaches great importance to environmentally conscious actions.
Uncontrolled clearing of forests and overexploitation lead to massively endangered wood species, which can no longer regenerate due to the high pace of mining. These include ebony and koa in particular, whose dwindling stocks and the resulting ecological problems have prompted a rethink at Taylor Guitars.
Because ebony 's hard, supple texture makes it particularly finger-friendly, it has long been the preferred choice for making fingerboards. Its attractive appearance is also extremely popular for bridges, headstock rests, bridge Pins and Bindings . However, high demand and a thriving black market outstripped stocks, landing Ebony on the Red List of Endangered Species in 1994. Moreover, only the deep black heartwood, which makes up only a fraction of the tree, was used, resulting in a disproportionately large amount of waste in production. In order to protect the forests, Taylor has thus been working since 2011 with the Crelicam Wood Mill in Yaoundé in Cameroon to promote controlled consumption by processing waste products.
"We need to use the ebony that the forest gives us" - Bob Taylor
Koa acacia populations have also suffered severe losses over the last 20 years. Unsustainable forestry as well as overexploitation led to a decline that can only be stopped by proactive action and reforestation. Therefore, Taylor Guitars together with Pacific Rim Tonewoods founded the Siglo Tonewoods project, which aims to rebuild the Hawaiian virgin forest. This is a large cultivation area for koa acacia and other species, which allows the use of koa wood on a controlled scale.
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