• 6 voices
• Poly, poly stereo, mono & Unisono modes including detune
• 1 oscillator with sawtooth and square waveforms including PWM
• Sub-oscillator
• 24dB Lowpass filter
• modulatable VCA
• 2 ADSR envelopes
• 1 LFO with 5 waveforms
• Chorus effect
• Delay effect
• 512 presets
• Panel Mode
• MPE MIDI
• Full MIDI implementation
• Graphical OLED display
• MIDI In / Out / Thru
• USB MIDI
• Mono/stereo audio output
• Headphone output

The voice architecture

One voice of the Bree6 consists of an oscillator that generates the sawtooth and/or square waveforms with PWM and a switchable sub-oscillator, an excellent sounding 24dB lowpass filter and a modulatable VCA. The two well-scaled ADSR envelopes are permanently assigned to the filter and VCA. There is also an LFO with 5 waveforms and a handful of modulation assignments for velocity, Aftertouch and the modulation wheel in the menu. The voices can be played polyphonically, polyphonically with dynamic voice distribution in the panorama, monophonically or Unisono . The Detune control provides a certain sparkle in the eyes, especially in Unisono mode.

Chorus and Delay for the final touch

With Chorus and Delay , the effects section is clearly laid out, but the sound is very balanced and not too thick. The chorus effect gets by with just one control and embeds the sound in slightly wafting interweavings. The delay effect comes into its own even without tempo synchronisation and blends in well with dub techno and sounds with a slightly dystopian note.