With the Summit Presented Novation a 16-part polyphonic hybrid synthesizer with a velocity-sensitive 61-key keyboard. Based on the popular desktop Peak synthesizer from the same manufacturer, the keyboard flagship now shines with 16 voices, they can even be split or layered.

Summary from Sound on Sound magazine October 2019

PROS

• Everything that the Peal offers, plus much, much more.
• The Dual filter architecture is a huge advance.
• Despite the wealth of features, it's simple to navigate and program.
• It's bi-timbral, with independent effects and, if wanted, independent outputs for its twp Parts.
• Responds to poly-aftertouch.
• Looks and feels solid and robust throughout.
• Has an integrated universal power supply.

CONS

• You cant use MIDI CCs as sources in the mod matrix.

SUMMARY

The Novation Peak costs around £1100, but two greatly expanded Peaks within a keyboard offering numerous other enhancements will cost just £1899. I have to profess that it's one of the nicest, most intuitive hybrid synths that I've ever reviewed and, while it's not all-encompassing (nothing is), it looks great, it feels great, it sounds great, and it's not going to break the bank. What's not to like?

CONCLUSIONS

Current hybrid polysynths range from low-cost instruments like the Korg Minilogue XD to much more expensive and powerful monsters such as the Waldorf Quantum and the Moog One. The Summit sits in the middle ground between these. Sure, there are huge overlaps between it and other mid-range hybrids such as the various Prophets and the Korg Prologue, but it has its own character and occupies its own space both in terms of how you might choose to use it and the sounds that you'll wrest from it. But what I like best about it is that it's so easy to use well. The extended control panel makes it a much better instrument that the Peak, and the enhanced menus remain simple and intuitive. Indeed, nothing occurred during this review that has me bemoaning the absence of a manual and for that (as well as everything else) Novation are to be complimented.

A final thought... Although I can draw upon many keyboards when wanted, there are only two that are permanently hooked up and switched on when I'm writing or recording in my studio. One is my beloved Korg OASYS, and the other is a 48-voice Novation Supernova II Pro X. The Supernova is now approaching its 20th birthday still sounds great, has never gone wrong, and does everything that i ask of it. The pre-production review unit was rock solid throughout my time with it so , if you like the Summit and it can achieve the same reliability and longevity, it should be worth every penny.

- Gordon Reid, SOS October 2019