• Omnidirectional microphone capsule for particularly natural room imaging
• designed for medium recording distances around the reverberation radius
• balanced, round sound character without analytical sharpness
• subtle acoustic treble boost to compensate for diffuse room losses
• very realistic output of spatial components and depth graduation
• ideal for orchestra, choir, chamber music and acoustic solo instruments
• excellently suited for AB stereophony and Decca Tree applications
• stable bass reproduction due to true omnidirectional characteristic
• very low equivalent noise level for detailed recordings of quiet passages
• high level stability for dynamically demanding music
• Fast transient imaging with a quiet sound image at the same time
• tonally balanced between MK 2 and MK 2S
• expandable with spherical attachments such as the KA 40 for targeted directional shaping
• a separate Schoeps microphone amplifier such as the CMC 6 is required for operation
  
• classic Schoeps sound aesthetics with a focus on naturalness and long-term suitability
  

Balanced frequency response with musical finesse

Compared to traditional spherical capsules, the MK 2H features a subtly enhanced high frequency range above 6 kHz. This purely acoustic tuning compensates for the natural loss of treble in diffuse sound fields typically found in real acoustic spaces. The sound remains open and airy without ever becoming sharp or exaggerated. Instruments retain their warmth, while fine details are reproduced with clarity and precision.

Ideal for orchestras, ensembles and acoustic instruments

The MK 2H is ideally suited for recording orchestras, choirs, chamber ensembles and acoustic solo instruments. String sections benefit from a natural sense of width, piano recordings sound transparent and powerful, and ensembles maintain clear spatial definition. Even in complex musical textures, the capsule responds with calmness and musicality.

Proven for AB and Decca Tree recordings

Thanks to its omnidirectional polar pattern, the MK 2H is perfectly suited for classic stereo techniques such as AB and Decca Tree setups. It delivers solid low frequency reproduction, stable phase coherence and convincing depth. When combined with optional spherical attachments such as the KA 40, the directional characteristics can be tailored to specific requirements, offering additional flexibility for large orchestral recordings.

Low noise and level stability for professional use

With an exceptionally low equivalent noise level and a high maximum sound pressure capability, the MK 2H is suitable for capturing the quietest nuances as well as dynamically demanding passages. It responds quickly to transients while remaining controlled and natural at all times. This makes it an excellent choice for both studio productions and high quality concert recordings.

Technical data:

• Polar pattern: omnidirectional
• Frequency response
  • 20 Hz to 26 kHz
  • 20 Hz to 42 kHz in conjunction with CMC 6xt
• Sensitivity
  • 17 mV/Pa
  • corresponds to -35.5 dB (V/Pa)
• Equivalent noise level
  • 10 dB(A)
  • 23 dB (CCIR)
• Noise level distance: 84 dB(A)
• Maximum sound pressure level
  • 130 dB SPL with CMC 6
  • 134 dB SPL with CMC 1